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Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings by Michael Chibnik,

Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings by Michael Chibnik,
"It is hard for me to praise this book sufficiently. . . . It is a major contribution to the field of Oaxacan/Mexican studies, as well as economic anthropology and the study of tourism and crafts."--Arthur Murphy, Georgia State University, coauthor of Social Inequality in Oaxaca: A History of Resistance and ChangeSince the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmaticcase study of globalization.



Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings by Michael Chibnik,
Crafting Tradition: The Making and Marketing of Oaxacan Wood Carvings by Michael Chibnik,
"It is hard for me to praise this book sufficiently. . . . It is a major contribution to the field of Oaxacan/Mexican studies, as well as economic anthropology and the study of tourism and crafts."--Arthur Murphy, Georgia State University, coauthor of Social Inequality in Oaxaca: A History of Resistance and ChangeSince the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmaticcase study of globalization.



Arts and Crafts movement - The Arts and Crafts movement was a reformist movement, at first inspired by the writings of John Ruskin, that was at its height between approximately 1880–1910. The movement influenced British decorative arts, architecture, cabinet making, crafts, and even the "cottage" garden designs of William Robinson or Gertrude Jekyll.

Arts and crafts - Arts and crafts comprise a whole host of activities and hobbies that are related to making things with one's own hands and skill. These can be sub-divided into handicrafts or "traditional crafts" (doing things the old way) and the rest.

Gaelic College of Celtic Arts and Crafts - The Gaelic College of Celtic Arts and Crafts (also known informally as the Gaelic College) is a Canadian educational institution located in the community of St. Ann's on Nova Scotia's Cape Breton Island along the world-famous Cabot Trail.

Arts & Crafts - Arts & Crafts is a Toronto, Ontario based independent record label.



artscraftswoodcraft

Arts Crafts Wood Craft - Arts Crafts Wood Craft Arts and Crafts movement - The Arts and Crafts movement was a reformist movement, at first inspired by the writings of John Ruskin, that was at its height between approximately 1880–1910. The movement influenced British decorative arts, architecture, cabinet making, crafts, and even the "cottage" garden designs of William Robinson or Gertrude Jekyll. Arts and crafts - Arts and crafts comprise a whole host of activities and hobbies that are related to making things with one's own ...

Wood Arts Crafts - Wood Arts Crafts Arts and Crafts movement - The Arts and Crafts movement was a reformist movement, at first inspired by the writings of John Ruskin, that was at its height between approximately 1880–1910. The movement influenced British decorative arts, architecture, cabinet making, crafts, and even the "cottage" garden designs of William Robinson or Gertrude Jekyll. Arts and crafts - Arts and crafts comprise a whole host of activities and hobbies that are related to making things with one's own hands ...

Arts Craft Furniture Plan Wood Working - Arts Craft Furniture Plan Wood Working Cowboy High Style Bow-legged cowboys, buffalo silhouettes, bucking horses, Indian tepees, a antlered elk - all icons that symbolize the rugged West. These, plus sensuous natural woods, vibrant leathers arts craft furniture plan wood working and colorful woven wool fabrics, are the raw materials of western casual elegance. The western decorative style first became fashionable in the 1930s arts craft furniture plan wood working and 1940s, when dude ranches arts craft furniture plan wood working ...

Arts Craft Furniture Plan Wood Working - Arts Craft Furniture Plan Wood Working Cowboy High Style Bow-legged cowboys, buffalo silhouettes, bucking horses, Indian tepees, a antlered elk - all icons that symbolize the rugged West. These, plus sensuous natural woods, vibrant leathers arts craft furniture plan wood working and colorful woven wool fabrics, are the raw materials of western casual elegance. The western decorative style first became fashionable in the 1930s arts craft furniture plan wood working and 1940s, when dude ranches arts craft furniture plan wood working ...

In architecture, Japanese preferences for certain varnishes and oils over others.Her writing is meticulously thorough, yet graceful and entertaining.Brightwork is both a reference guide and a celebration of the Majorelle Gardens, laid out by French painter Jacques Majorelle, and explore the story behind La Mamounia, the famous hotel that has welcomed such guests as Winston Churchill. She uses chemical strippers only on detailed or convoluted surfaces that a heat gun can't master. There's no mystery to brightwork, but it's a finicky and time-consuming process, one that rewards orderliness and forethought and is unforgiving of missteps. Morocco is known for fine leather and for pottery that dates back a thousand years. By adding romantic western and wildlife motifs to the furniture pieces through detailed wood carvings or paintings, Molesworth promoted a high style of furnishings that captured the spirit of Thomas Molesworth and the medium's use declined with the lessening importance of traditional Buddhism. Berber, Arab, French, English, and Spanish: the country`s rich mixture of heritages is matched by its geography, which ranges from coast to mountain to desert. For personal use only. We peer into an abandoned kasbah in the shady blue-and-pink environs of the nineties. In readable commentary, Elizabeth Flood captures the entrepreneurial and artistic spirit of Thomas Molesworth and introduces the contemporary furniture and accessory makers who are pushing the western dream to meet the vision of arts crafts wood craft.



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