Independent Stave Company

"Company town." The words evoke images of rough-and-tumble loggers and gritty miners, of dreary shacks in isolated villages, of wages paid in scrip good only at price-gouging company stores, of paternalistic employers. But these stereotypes are out-dated, especially for those company towns that flourished well into the twentieth century. In "Company Towns of the Pacific Northwest, Linda Carlson provides a more balanced and realistic look at these "intentional communities." Many of the later towns attracted professionals as well as laborers; houses were likely to be clapboard Victorians or shingled bungalows; and the mercantile store carried work boots, baby diapers, and Buicks and extended credit even to striking workers. Company owners built schools, power plants, and movie theaters. Drawing from residents' reminiscences, contemporary newspaper accounts, company newsletters and histories, census and school records, and site plans, the book looks at towns in Oregon, Washington, and Idaho, considering who planned the towns and designed the buildings. It examines how companies went about controlling housing, religion, taxes, liquor, prostitution, and union organizers. This vibrant history gives the details of daily life in communities that were often remote and subject to severe weather--as much as 100 inches of rain a year near the coast or 10 feet of snow in the mountains. It looks at the tragedies and celebrations: sawmill accidents, mine cave-ins, and avalanches as well as Independence Day picnics, school graduations, and Christmas parties. Finally, it tells what happened when people left--when they lost their jobs, when the family breadwinner died or was disabled, when the millclosed. This lively and well-researched book will be welcomed by those interested in Northwest history, as well as students of labor and business history. An ample selection of illustrations, most never previously published, broadens its appeal.

Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.

Independent Moving Pictures - From the very beginning, the Motion Picture Patents Company (MPPC) was fought by the unlicensed independents (dubbed "pirates" or "outlaws"), led by the feisty renegade Carl Laemmle. By 1909, Laemmle entered into film production as the Yankee Film Company, soon renamed the Independent Moving Pictures (IMP) Company in New York.

Central Independent Television - Central Independent Television, commonly referred to as Central, is the Independent Television company that succeeded ATV on 1 January 1982. Apart from a new name and logo, the company was essentially a continuation of ATV, having originally applied for the franchise as ATV Midlands Limited.

Independent Fabrication - The Independent Fabrication bicycle company is located in Somerville, MA. The company is often mistakenly referred to as Independent Fabrications.

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